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Mamiya Sekor 1000 DTL

What a Mamiya Sekor 1000 DTL actually produces — 26 photographs shot on one by members here.

Mamiya · 35mm · 26 photographs

The Mamiya Sekor 1000 DTL is a solid, heavy 35mm SLR from 1968, best known for the feature in its name: DTL stands for dual through-the-lens metering. A switch on the body chooses between an averaging reading of the whole frame and a spot reading from the center. In the late sixties, having both in one camera was unusual.

Everything else is straightforward. The cloth focal-plane shutter is mechanical, running to 1/1000 sec, and the battery powers only the meter, so a dead cell leaves you with a fully working camera and a sunny-16 guess. The meter was designed around a mercury cell that is no longer made, so treat its readings with some suspicion until you have checked them against a known-good meter.

The lens mount is the real attraction. It takes M42 screw-mount lenses, the most widely shared SLR mount of the era, so alongside Mamiya's own Auto Mamiya/Sekor glass you can use Pentax Takumars, Carl Zeiss Jena, Helios and many others, usually for very little money.

It is not light and it is not refined, but a 1000 DTL in good order will shoot for decades. Loaded with HP5 Plus, it is an inexpensive way into a very deep pool of lenses.

Images taken with the Mamiya Sekor 1000 DTL

on the road to Rayong on the road to Rayong Mick · Kodak Plus-X entered as “Mamiya Sekor 1000dtl” Trade winds Trade winds Mick · Kodak Tri-X 400 entered as “Mamiya Sekor 1000dtl” Hula Hula Mick · Kodak Tri-X 400 entered as “Mamiya Sekor 1000dtl” Maybe Pearls, maybe not Maybe Pearls, maybe not Mick · Kodak Tri-X 400 entered as “Mamiya Sekor 1000dtl” Atlas Atlas Mick · Kodachrome 64 entered as “Mamiya Sekor 1000dtl” Sax man Sax man Mick · Kodak Plus-X entered as “Mamiya Sekor 1000dtl” Star Ferry Star Ferry Mick · Kodak Plus-X entered as “Mamiya Sekor 1000dtl” Thanks for the Memories Thanks for the Memories Mick · Kodak Plus-X entered as “Mamiya Sekor 1000dtl” Rock'n at Don Bosco Rock'n at Don Bosco Mick · Kodak Plus-X entered as “Mamiya Sekor 1000dtl” Diamond Head sunrise Diamond Head sunrise Mick · Kodak Tri-X 400 entered as “Mamiya Sekor 1000dtl” Elephant Crossing Elephant Crossing Mick · Kodak Plus-X entered as “Mamiya Sekor 1000dtl” Fishing fleet Fishing fleet Mick · Not sure entered as “Mamiya Sekor 1000dtl” For the birds For the birds Mick · Kodak Plus-X entered as “Mamiya Sekor 1000dtl” Father and Daughter Father and Daughter Mick · Kodak Tri-X 400 entered as “Mamiya Sekor 1000dtl” Ho'olaule'a Ho'olaule'a Mick · Kodak Tri-X 400 entered as “Mamiya Sekor 1000dtl” Little Havana Little Havana Mick · Kodak Tri-X 400 entered as “Mamiya Sekor 1000dtl” Sunshine Music Festival, Diamond Head Crater Sunshine Music Festival, Diamond Head Crater Mick · Kodak Plus-X entered as “Mamiya Sekor 1000dtl” "I see nothing, nothing..." "I see nothing, nothing..." Mick · Kodak Plus-X entered as “Mamiya Sekor 1000dtl” Tavana's Tavana's Mick · Kodak Plus-X entered as “Mamiya Sekor 1000dtl” Selfie Selfie Mick · Kodak Tri-X 400 entered as “Mamiya Sekor 1000dtl” A time of love and war A time of love and war Mick · Kodak Plus-X entered as “Mamiya Sekor 1000dtl” Chinese New Year Chinese New Year Mick · Kodak Tri-X 400 entered as “Mamiya Sekor 1000dtl” "Sunrise, sunset..." "Sunrise, sunset..." Mick · Kodak Tri-X 400 entered as “Mamiya Sekor 1000dtl” Golden years Golden years Mick · Kodak Plus-X entered as “Mamiya Sekor 1000dtl” Mardi Gras 1971 Mardi Gras 1971 Mick · Kodak Plus-X entered as “Mamiya Sekor 1000dtl” leaving on a jet plane leaving on a jet plane Mick · Kodak Plus-X entered as “Mamiya Sekor 1000dtl”

Film shot on it

Each one links through to every frame on that stock, from any camera.