FilmPhotography.com Real light. Real film.

Mamiya RB67

What a Mamiya RB67 actually produces — 9 photographs shot on one by members here.

Mamiya · Medium format · 9 photographs

The Mamiya RB67 is a 6x7 SLR built for the studio, introduced in 1970 and produced for decades in Pro, Pro S and Pro SD forms. It is entirely mechanical, with no battery anywhere, and you get 10 frames on a roll of 120.

The R in the name is the feature everyone remembers: a revolving back. Turn the back a quarter turn and you switch between portrait and landscape framing without turning the camera on its side. That is a huge help on a tripod, and markings in the finder show which way you are framing.

Focusing is by bellows rather than a helicoid, so the camera can focus very close without extension tubes. The leaf shutter sits in each lens, with speeds to 1/400 and flash sync at every one of them. You cock the shutter with a lever on the side of the body and wind the film separately on the back, which takes a roll or two to get used to.

It is heavy, and it is happiest on a tripod. In return you get a large, detailed negative and a camera that can be repaired almost indefinitely. With the 127mm lens and Portra 160, it is a classic portrait setup.

Lenses people use on it

Taken from what members recorded on the frames above, in their own wording. Counts, not recommendations.

127mm 3
Mamiya 180mm 3
140mm Mamiya Sekor Macro 2
Mamiya 180 1

Film shot on it

Each one links through to every frame on that stock, from any camera.